remastered reissue of jamie xx’ solo debut from 2015. regular pressing on black vinyl.

remastered reissue of jamie xx’ solo debut from 2015. special pressing in multiple colours, distributed at random.

incl. pablo mateo , casanova remix

incl. darius syrossian , alan dixon love attack remix

reissue of the self-titled 1974 debut album from brazilian duo jaime & nair.

handnumbered vinyl

jamie 3:26 from chicago

ltd 2020 coloured repress , one sided

** idontknow ** from jamie xx finally sees a proper vinyl release. max 1 per customer

7 tracks with full off jamie 3:26 madness

next house bomb by dj knuckles!

very catchy romanian minimal techno! tip!

incl lauer & jamie paton mixes

supported by trevor jackson, michael mayer, red axes, tornado wallace, axel boman

jamie 3:26 basement edits vol 2 featuring acid whump and bostitch time. standard black vinyl pressing.

australia based brit jamie blanco serves up kilsha’s superb second ep and capitalises once more on a fine recent run of form.

chicago warehouse infected tracks

here it is finally tone dropout vol 7. this is a anglo/french,italian/oz extravaganza, a tdo meets lht banger.

we are proud to present a reissue of a selection of jaimes music from his 1997 album >the end of the beginning<

frankie knuckles presents directors cut feat jamie principle! jimmy edgar re-edit! 12 inch hand stamped label! tip!

numer one of two eps with a free digital download code.

mixture of jazz and hip hop

and so especial comes to its 30th release. as with the ees010 and ees020 the 12inch is given over as a sampler ep of alternate versions, dubs and unreleased cuts that deserve their time in the spotlight. again featuring a labels whos who, with fairplay, paton and baha appearing, but also new crews in vogue with roy of the ravers back, joined by the esteemed freeform five plus a debut from bal5000.

original + remixes from christopher groove & daniel kovac remix, brad wilder , felix da housecat

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.

as well as manning his own label duro, theus mago can be found slinging out heat on turbo, kill the dj and more recently ombra. the mexican producer returns to home turf for his latest transmission, serving up one original track with two killer remixes. -inertials- is a rowdy beast in its original form, tapping up a breakbeat roll, dirty wave synth stabs and plenty more sonic debris for a cut that spans a whole lot of styles and makes them gel together seamlessly. inigo vontier takes the original and makes it into a bone-rattling drum track to batter the crowd into submission very late on in the dance. jamie paton takes a different approach on the b-side, weaving a little tenderness into the mix with some elegant synth lines that offset the raw bite of the drums beautifully.

berlin based electronic mainstay marquis hawkes has announced details of his second lp ‘the marquis of hawkes’, due out 24th august 2018 on fabric’s in-house label houndstooth (home to call super, aïsha devi, special request and more). ahead of this, hawkes will also release a new single featuring acclaimed uk soul singer jamie lidell. the single, entitled ‘we should be free’, features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by hawkes himself. both this, and the essential previous single, “don’t u”, which featured the vocal talents of ursula rucker, will appear on the forthcoming album.

for fans of: kon, dimitri from paris, danny krivit, mark grusane.

tolles soul / r&b album für fans von blood orange, kindness, jamie lidell oder auch der s.o.s band. stimulator jones wird bereits seit einiger zeit in den einschlägigen kreisen hoch gehandelt und wurde auch von der bbc in deren “most exciting new music acts 2018” aufgenommen. eine weitere tolle entdeckung von stones’ throw!

planet rhythm triple vinyl sales pack, including releases prruk082, prrukblk009 and prrukblk011.

reissue of jamie.t’s 2009 album “kings & queens”. housed in a gatefold sleeve with download code included.

reissue of jamie.t’s 2007 album “panic prevention”. comes with download code included.

with the theme of quality house music never betray , the label eureka! is proudly announcing their 2nd release by jamie 3:26, known as one of chicago s true house music soldiers, with the style very closely linked to the sound of ron hardy, and the newcomer from amsterdam, masalo. a strong bassline that is very reminiscent of the chicago classic, high-speed hi-hat, the vocal with strong message that inspired by red light district from masalo s hometown, amsterdam and with melody of organ that is gradually expanding throughout the track. side b, is dub mix with peak-time track, definitely for the dance floor. artwork by kouhei asakura

the industry of dance music can be as soul-crushing as any other. those thrills and spills of late, loud nights come with a best-before expiry date, after which even the most seasoned selector-producer-scenemaker begins to wrinkle their nose. to have experienced it all over 15+ years and seek to see it unfold again through fresh eyes, what sort of lunatic would willingly put themselves through that? v would. so its a new character, but who was the mysterious v in a past life? make your own conclusions. a little digging will lead you toward the origin story, but sometimes the pleasure comes from the unknowing. opt to enjoy the silence. silence, however, is not the focal point for v. in fact, this new form is a way to discard baggage and revitalise the process of music making.

yet another solid gold modern reimagining of the mighty loleatta holloway, this time her infamous 1977 smash hit & run goes under the knife and is tweaked to devastating effect by 2 of chicago s finest modern day editors - jamie 326 & cratebug. anyone with even a passing interest in disco or house will be more than familiar with these 2 guys names. having edited and remixed numerous cuts in their own original ways, they take this all-time salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. this edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the windy city and naturally it was one of the cuts that stood out, finding favour with a wide variety of dj s across the board from motor city drum ensemble, todd terry, jeremy underground paris, theo parrish and more. drawing comparisons with paperclip people s anthemic throw from 1994 in the way it snatches a killer loop from hit & run s bassline, hit it & quit it is a monster, a record you ll literally play over and over and over again, a relentless disco juggernaut that oozes power. it made perfect sense for this legit single-sided reissue 12- to come out on salsoul records, the home of loleatta holloway s finest material and all of her classics. this limited reissue has been made in conjunction with jamie 3:26 & cratebug and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

mint condition - a reissue label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in....
hot on the heels of his relief sevensixty ep we are pleased to announce the latest instalment of jaime read cuts from the vaults. the target this mf ep is another collection of golden-era jams from read’s envious archive. steeped in history, these infamous tracks are now seeing the light of day again. you only have to have a quick online search to read the fascinating story of the journey of this music and then maybe this ep title will make sense!

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in...
the relief sevensixty ep has been legitimately released with the full involvement of jaime read for 2017 and remastered by london’s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

jamie paton has been a regular fixture on emotional especial since the label first came to light, conjuring up a seductive blend of leftfield dance music with a broad range of influences. this time around he s turning out some of his remixes, leading in with the sweaty, dense throb of sexy merlins see you in the dark. guy schlaloms habibi by way of contrast becomes a lighter confection peppered with bubbly synth lines and an almost poppy persuasion. blancmanges feel me has a more cosmic lilt in its voluminous tones, and overdrive by gatos negros drifts out on an off-kilter kind of boogie for all manner of deviant dancers to get head-nodding to.

having helped launch the sugarhouse label with his paradise forum brethren, jamie paul gets a chance to show off his talents on his debut 12inch, adding to the labels already impressive catalogue with another swathe of classy house jams with a modern twist. double g definitely sports the chops for the peak of the night, but it s also shot through with a welcome weirdness and a fuzzy warmth that should find favour with a wide range of djs. even so is a more laid back, bumping affair that matches the smooth finish of the a-side, but says something different altogether. label mate maurice jnr meanwhile serves up a remix of even so that nudges the delicate tones in a techier direction

joe armon-jones & maxwell owinare forces to be reckoned with. both integral parts of the burgeoning south london jazz scene, these young musicians contribute to numerous outfits including ata kak, jamie isaac, mc pinty, moses boyd exodusand ezra collective, as well as pushing their own solo projects.this is their first combined effort. idiom is the result of multiple collaborations under the direction of joe and maxwell. featuring nubya garcia, oscar jeromeand jake long, it is heavily influenced by the hardcore continuum and covers everything from 2-step, broken-beat and house to jazz and dub.having been compared to artists like 4hero, floating points, harvey sutherlandand moodymannall in the same breath, joe & maxwell arealready garnering support from radio 6 musics gillespeterson, jazz fm/musica macondas tim garciaand jazz fms chris philips.this is an accomplished body of work by some of the most exciting young talent in london right now.

ralphi rosario is a pioneer of house music, kicking off an influential dj career in chicago when he was still in high school. the remixes and productions that followed have garnered him #1 billboard dance chart hits as well as more than 20 well-respected years spinning records. he’s an artist who represents the ethos of glitterbox recordings, with decades of quality house music history woven into every beat. also in line with the spirit of the label, ‘wanna give it up’ is a classic track given some very tasteful modern updates, from dr packer and jamie 3:26. the familiar ‘légo’s dub’ from the original release is present and correct, alongside a suitably funked-up version from disco edits maestro dr packer. finally, fellow chicagoan jamie 3:26 amps the party up a further notch with some irresistible clinking percussion and a lazy-cool groove.

nice price deal !!! super smarter elektrotrack mit überzeugenden mix von jamie lloyd. hat alles was eine gute platte brauch

new teachers join the bass academy: uk droids gods of technology (phil klein & simon brown) featuring egyptian lover, and legendary us producer jamie jupitor. must have freak seeker (l.a. freax) feat. the unknown lover (you ll probably know who s behind) and future computer sign two authentic electro funk pieces in the great tradition of the west coast sound. phat bass, vocoderized lyrics, sharp 808 drums, and irresistible synth melodies characterize these instant classics guarantee to put you in a circle. come and take a lesson of music directly from the masters! ltd blue transparent vinyl.

supreme chicago dj and world traveller jamie 3.26 comes on board with the gamm fam with a diverse two track ep. the opening track is a 11.24 min long philly gospel workout that is just as uplifting as its a real treat to tweak in the club (= isolater adapted). it s definitely one for the hard working djs. but to show that jamie s range is wide he delivers an even longer jam on the flip that clocks in at 14.08 mins...ouch! this time jamie goes italo (but not that cheesy shit) with a fantastic edit of barsotti s music box classic -whole lotta love- - chicago style!

the concept of this record is simple, 4 artists join forces to create these non compromising, focussed dj tools which marks the start of a new release series. the berlin based producers avgusto, jamie anderson and strisc. are no stranger to florian meindl s flash recordings with several releases on the label and rekord 61 from moscow is a new addition to the roaster. vinyl only.

dark brooding techno from sister label of stay up forever.

jamie paton, one half of the duo cage and aviary has in interviews expressed his thoughts about if slouchy techno can be viewed as an own genre. the answer lies in this 7” - “telefuture / blind summit” - released on hoga nord rekords, on which the label above is highly appropriate to sum up the sound. the tracks contain elements from your techno favorites dating three decades back, but the tempo and the production creates a slouchy (in the words most positive sense) feeling clearly influenced by the slow motion house of cage and aviary.